— Henry Rollins (via observando)
Fried We love the content (we love anything by Stephen Fry), but the typography is upsetting. It’s especially ironic given his point. It’s in Helvetica throughout except for 2′09″ to 2′55″, when it switches to Arial. Why? Arial is not Helvetica and it never shall be.
Fashion can’t (or won’t) shake the sixties.
Here, in homage to Mad Men’s final season, sartorial psychedelia from the Vogue Archive.
Photographed by Horst P. Horst, Vogue, August 1969
How beautifully Klimt.