Henry Rollins (via observando)
Fried We love the content (we love anything by Stephen Fry), but the typography is upsetting. It’s especially ironic given his point. It’s in Helvetica throughout except for 2′09″ to 2′55″, when it switches to Arial. Why? Arial is not Helvetica and it never shall be.
Fashion can’t (or won’t) shake the sixties.
Here, in homage to Mad Men’s final season, sartorial psychedelia from the Vogue Archive.
Photographed by Horst P. Horst, Vogue, August 1969
How beautifully Klimt.
Cloths of Heaven, new print from Seb Lester.British designer and 8 Faces interviewee, Seb Lester, released a new limited edition print today. ‘Cloths of Heaven’, based on the poem ‘Aedh Wishes for the Cloths of Heaven’ by W B Yeats, is available both as a print and embroidered artwork.“Yeats’s poem references ‘embroidered cloths’ and ‘gold and silver threads’, so I wanted to try to make the screen print look like an exquisite and timelessly beautiful piece of highly ornamental needlework. I’ve drawn from Medieval, Renaissance and 18th-century sources but I have also tried to integrate personal, progressive and irreverent flourishing ideas. The result is a hybrid stylistic treatment that I think could only exist in the 21st century.”See more onI Love Typography
"Look lady, I’m homeless, I’m crazy. I’m so hopeless I’m suicidal daily. If you and I can’t co-exist, let’s fake it cause I ain’t got the energy it takes for this relationship."
"Let’s not make this into an issue, but the truth is… I don’t miss you."
that zit you didn’t have going to bed….and then suddenly woke up with mount Vesuvius on your face.